No, not a change to my business name or a new specialisation!
After carving a couple of pumpkins for our 3 year old and 1 (almost 2 ) year old boys for Halloween last night, I thought I’d take a couple of snaps for posterity before they ended up eventually being chucked in the bin.
It was supposed to be a couple of quick snaps with my camera and a flash but as there was nothing on TV, and being a photographer, I soon found myself digging out some lighting equipment and tripod!
I can’t imagine there are any aspiring pumpkin photographers out there!, but I thought as a bit of fun it may be of use to someone and could be the first post in my blog about photography techniques.
First thing was to put the camera, Canon EOS 5D Mark II, on a tripod with a Canon EF 24-105mm f4L IS USM lens as the exposure for the flame inside the pumpkins was going to be far longer than could be hand-held.
After positioning and framing the first pumpkin the first step was to determine the exposure for the flame, so I lit the tealight inside the pumpkin and turned the room lights off. Camera was set to 400 ISO and f11 and I used a Sekonic hand-held meter, with spot facility, to read off the inside of the pumpkin, which gave a reading of around 1 second. Test exposure showed that it was certainly a good starting point.
Next step was to add some light to the pumpkin exterior. It didn’t need my Elinchrom studio flashes (overkill!) so a Canon Speedlite 580EX II was put onto a lighting stand with a Lastolite 38cm Ezybox Hotshoe positioned to the front left of the pumpkin. The speedlite had a Pocket Wizard FlexTT5 transceiver attached to it and with the MiniTT1 transmitter on the camera allowed for wireless triggering of the flash. This system is absolutely fantastic as it allows full E-TTL communication to be retained between the camera and the flash. The additional AC3 ZoneController slotted on the top of the MiniTT1 transmitter adds the extra capability of being able to dial in +/- 3 stops of flash exposure compensation (in 1/3 stop increments), or to switch the flash into manual mode and dial in a manual power (again in 1/3 stop increments) all without touching anything on the flash itself.
I opted for manual power and started the flash on 1/8 power, shot a test, then upped it to 1/4 power and added a small reflector board to the right of the pumpkin for some fill-in. To give me a bit of choice of exposures I bracketed the shutter speed to alter the level of exposure of the candelight inside the pumpkin, from 1 sec to 4 secs in half-stops i.e. 1, 1.5, 2, 3 and 4 seconds so a total of 2 stops range. 3 secs turned out to be the best exposure for the effect I was after.
Once processed in Adobe Lighroom 3, this was the final result for the first pumpkin – the one yours truly had carved for our three year old.
My better half had carved the other pumpkin for our one year old so I thought I should shoot that too!, so with the same process as above this was the final result for that one…
She actually had the much nicer shaped, smoother shaped pumpkin which really helps the final result.
If I’d wanted to I could have spent longer and fine-tuned it more, added another light to the right rather than just a reflector board for example, but as it was just a bit of fun/playing around I wasn’t going to go to those steps.
So, all a bit of fun ultimately but I hope some useful information in there, for anyone interested in photography, with regard to balancing candlelight with added flash lighting. Obviously the techniques don’t apply to just pumpkins!, but will apply to any situation where there is candlelight in the shot and additional flash lighting needs to be added without overpowering the candlelight.























